![]() Her noted performance in that film subsequently afforded Naldi more career opportunities. Hyde starring John Barrymore.īarrymore himself reportedly recommended her for the role after he “spotted” her dancing at the Winter Garden. Following those two films, she had small roles in several independent films before being cast as the exotic character Gina in Paramount Pictures’s 1920 release Dr. Naldi was then offered a role in A Divorce of Convenience with Owen Moore. She soon quit the film, however, after realizing that Dooley had romantic intentions with another woman. Naldi was asked to perform in a short film with Johnny Dooley, a Scottish comedian who, despite his last name, was unrelated to her. Brady in 1920 offered her a role in his play Opportunity. ![]() It was at this time when Nonna Dooley changed her name to “Nita Naldi,” which she adapted from the name of a childhood friend, Florence Rinaldi. Working under her new name, Naldi continued acting on Broadway and after her well-received performance in The Bonehead, producer William A. She soon entered vaudeville with her brother Frank, and by 1918 she was performing as a chorus girl at the Winter Garden Theatre in The Passing Show of 1918. Her appearance in that Broadway production led to more stage jobs, and soon Naldi found herself in the Ziegfeld Follies of 19. To support them and herself she took several jobs, including work as an artist’s model and a cloak model. ![]() Her mother’s death in 1915 required Nonna to care for her two younger siblings. You can revoke your consent to receive emails at any time by using the SafeUnsubscribe® link, found at the bottom of every email. Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images).By submitting this form, you are consenting to receive marketing emails from: Harlem World Magazine, 2521 1/2 west 42nd street, Los Angeles, CA, 90008. The Mountain Eagle (1926) - cast: Beatrice.The role was in fact played by German actress Elizabeth Pappritz. In his 1949 filmography of Hitchcock for Sight and Sound, Peter Noble incorrectly stated that Naldi made an uncredited appearance as the "Native Girl" in The Pleasure Garden (1925). When, shuddering and shaking with emotion, she stopped and I called out "Cut" the whole studio - none of whom understood a word she had said - burst into spontaneous applause. She used words we had never before heard. She told them where they got off, where they came from, where they were going to. She called them anything and everything she could lay her tongue to. She gave them, in English, Italian, American, Bowery, Park Avenue, and, maybe, double Dutch. ![]() When Nita finally turned on these "farmers," I called, "Give them all you've got." It helped them to get over the atmosphere. In a big emotional scene, we let people say just whatever came into their heads. In silent days, we never wrote dialogue, except for close-ups where anyone could lip-read. She had to turn on them and tell them just what she thought of them. Nita was playing a scene where she had been run out of town (unjustly of course) by the Kentucky farmers. This floor's too gol-darned hard for comfort!" And all she said was: "Why don't they build these lousy sets right over here. Before the camera had even stopped turning, she had recovered. The set was built on a foundation of stones set in cement. Then, without a word, Nita tilted to one side and fell headlong. The scene was going well when, just as she turned the gun to the window, I saw it waver. She had to play one more scene, where she was cleaning Malcolm Keen's rifle when a face appeared at the window and she pointed the gun at him. We had been working hard all the day, and Nita was nearly all in. The Germans, accustomed to the starchiness of the Hohenzollerns, fell hard for this American royalty, with her father and her dog, and her maid, who was more democratic than the stagehands. She talked to everybody in her heavy New York drawl. For all her entourage, there was nothing high-hat about her. However, Nita turned out to be a grand person. It was like the royalty Germany hadn't seen for five years. The dog on its leash was long and gleaming with brushing. Her Louis SIV heels clicked down the platform. She travelled with her father, who looked like Earl Haig. They had never seen anything like her before. As she stepped off the train Munich quite audibly gasped.
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